In the past, Judith took her first steps on a movie set. In the present, the "icon" in need of recognition peels the organization chart of the production company that rejected it, convinced of a personal revenge against it.
Passing her housekeeper, Kim, for her assistant, in order to give herself the necessary luster to get an appointment, she gets back in touch with Pierre de Marrot, a prominent producer. Judith also meets her daughter's choreographer, in order to prevent any misconduct on her part.