In 1534 Michelangelo definitively abandoned Florence to move to Rome, where the new Pope Paul III confirmed him the assignment for the Last Judgment, which aroused heated controversy in the clerical sphere. For the Marquise of Pescara Vittoria Colonna Michelangelo painted a Crucifixion: the Marquise had introduced the artist into a cultural circle frequented by personalities of the time who advocated a reform of the Catholic Church. After the completion of the work on the tomb of Julius II, Michelangelo gradually abandoned painting and sculpture to devote himself to architecture, with projects for San Pietro, Palazzo Farnese, the Church of San Giovanni dei Fiorentini.